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2023

In Exchange For The Fire

In summer 2023, a group of students traveled to Greece to explore the origins, history, and contemporary use of this earliest gift of the gods. For nearly a month they engaged practicing artists and archaeologists in demonstrations and discussions at studios, galleries, storerooms, and museums throughout Greece. Daily “hands on” study of vessels and other ceramic artifacts at the MSU Excavations at Isthmia provided unique insights into ancient processes and techniques.  Concurrent collaboration with the Global Arts Studio, an arts academy in nearby Corinth, encouraged open exploration of clay’s creative possibilities.

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The works on display here reflect each individual’s unique experience on this program, inspired by life in a historically and culturally rich Mediterranean setting. Rather than imitate artifacts and styles of the past, every artist explores the relevance of those traditions in their own contemporary lives. It is exciting to see what they have done with this first gift of the gods.

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In Exchange for the Fire was curated by Rebecca Casement. This special exhibition brings together the work of ten MSU students: Emma Borowski, Julia Egbert, Nahom Ghebredngl, Christi Lopez, Morgan Manuszak, Ally Miscikoski, Marissa Rubaiai, Mackenzie Sheehan-D'arrigo, Liz Vadella, and Megan Weaver.

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WORDS BY JON FREY

EXHIBITION IMAGES BY DANIEL TREGO

Trench 23 by Morgan Manuszak

Mold made, hand finished, mid-fire stoneware, acrylic paint

Mythology of The Self by Mackenzie Sheehan-D’arrigo

Low-fire red earthenware paper clay, metal, acrylic

The Wide Stones Scare Me by Nahom Ghebredngl

Wire, wood, paper, plaster, acrylic, slab-built press-molded mid-fire stoneware

A Necessary Evil by Ally Miscikoski

Hand-built low-fire white earthenware

Is It Enough? by Emma Borowski

Combination of molded, coil-built, and slab made low-fire white earthenware and wheel-thrown mid-fire stoneware vessels

Shifting, Pulling, Changing by Marissa Rubaiai

Slab-built tiles, oil paint, wood

Warped Solace by Julia Egbert

Mid-fire red stoneware from Greece; overfired

Sacred Spaces by Christi Lopez

Press molded, wheel finished, mid-fire stoneware

Terminus Post Quem by Megan Weaver

Plexiglass, sand, wood, stone, wood ash, hand-built and wheel thrown mid-fire stoneware mementos

Open Up by Liz Vadella

Wheel-thrown, altered mid-fire stoneware vessel

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